Sunday, March 15, 2020

Not Even Not Zen 203: Clear Water

Tiny Bubbles DVID by Staff Sgt. Felix Fimbres, Wikimedia

Clear Water

The two photographs sit on opposite corners of my desk.

One of them has a background of brown and yellow.  The man in it has a warm, confident smile.  His right shoulder is higher than the left, as if he were waving when the close-up was taken.  Just beneath the knot of his tie is the caption 'Glenfield for State Representative.'  He autographed it for me, Darren did.  Which I found irritating, since I didn't ask.  It isn't the type of thing you really want from a friend.

The other photo has that grainy look that ad-men insist on giving to artists.  There's a shadow over most of the face and the eyes seem to glare down at you.  The portrait appeared in public as the back flap of a book jack to Ellis's Poetry for the Terminally Gullible.

A person who had never known either of them wouldn't guess they are brothers.  The features of both have been obscured in different ways by clever make-up and tricks with gloss and lighting.  They both have blonde hair, big ears, and penetrating, hazel eyes.  Or had.  Ellis is no longer present tense.  In the photographs, all they share is a similar bump on the ridge of the nose and the sharp, distinctive family chin.  Ellis's photographer thought poets should seem deathly pallid and disturbingly serious, so his hair looks almost black.  Darren's ears seem slightly smaller than life; the lobes have been airbrushed away.

I only keep the photographs because they seem artistically correct.  They sum up a difference in attitude.  More than attitude, fate.

#

He came to the door yesterday in a floppy green raincoat.  Water ran down from the wide plastic hood into strands of his dark, curly, brown hair.  His cheeks and nose were flushed.  His wire-rimmed glasses were covered with fog.

"Mister Turner?"  He handed me my newspaper.

"Yes," I said.  I took the plastic bag from his hand without really looking at him.  "Are you doing our route now?"

"No.  You may remember me from the funeral."

On my first glance, all I noticed were his clothes since he was dressed for the weather, and his height.  He was fairly short, no more than five foot eight and, because of it, I'd assumed he was a teenager.  He had a two-day old beard that I'd missed.  His voice seemed very adult.  Not deep or rough, simply authoritative.  Calm.  Accustomed to classroom lectures, perhaps.

"My name is Gregory Ryan," he said.  "I'm the fellow who wants to write a book about Ellis."

"Ah, yes.  That's right.  You're the one from Berkeley."

Ryan allowed himself a boyish smile.  He was around thirty-five and his features must have seemed endearing to his students.  "You wouldn't talk to the other two," he said.  "I was hoping I might convince you anyway."

"Why?  Aren't you going to interview his lovers?"

"That’s a way to do it."  He stared down at the beads of rain, dripping off his shoelaces.  "Robert, didn't Ellis always seem to know he was going to die young?  Wasn't he always fascinated by death?  You knew him when he was a child.  Before he contracted meningitis, didn't he talk about suicide?"

The question was direct and personal, which I liked.  But I debated whether or not to let him in and decided against it.

"Yeah," I said.  "He was kind of morbid as a kid.  What's your relation to him?"

"We taught together at Santa Cruz.  Also, we skydived together.  For a while."  He grinned.  He must have known how hard it was to picture him in the open door of a plane.  "I blew a couple hundred dollars in return airfare by staying.  It would help me if you could come up with something."

"What do you want?"

"Anything.  Write it down if it makes you feel more comfortable.  Here.  I'm staying at a friend's apartment until next Saturday."  He pulled out an orange spiral notepad and tore off a square of the paper.  "This is the address."

"Can't promise much."

"Just tell me what’s on your mind.  I'll ask the questions later, when we've all had more time to recover."  He crumpled it in my hand, wrapping my fingers around it.  "Please.  Anything that occurs to you.  Ellis didn't like to talk about his past with me.  Now that I’ve started to investigate, I’m finding that he didn't dwell over it with anybody.  He got impatient about the past as if his own was embarrassing, or small, or there wasn’t time to think about it."

#

I envision him on a trip home from a doctor, probably one of the allergists.  He rolls out of the brown station wagon door.  He smiles, grim with secret knowledge, a thin-boned, round-faced kid with hazel eyes.  He holds the ball, a black superball as big as his hand, lips moving to words I cannot quite hear.  He waves to me.  Come on, come on.  Let's play.  We haven't got much time.

Maybe he said that.  Maybe he was telling me, Bobby, we haven't got much time.  But I should discard the memory, if it's even a memory at all.  For sure, that one is tainted by hindsight.  So are all my other memories of him, all contaminated by my awareness that I've outlived him.

His photograph sits on my desk.  In it, there is no sign of the insistent, twelve-year-old visionary.  There is only a weary, young man, around twenty-eight.  The tan has faded to ghostly pale.  His muscles are leaner than they were in his adolescence, when his biceps and neck were nearly maps of his tendons and veins.  He was strong, once, an athlete of sorts, if swimmers qualify as athletes.  I was on his team.  But I swam behind the Glenfields.  Ellis had real talent.  Darren had more.  So I was the slow man in the medley relay that won for our team each year.  Most of the time, I plastered my corkboard with third and fourth place ribbons while Ellis and Darren brought home medals for a showcase.  But when I swam with them, I was a winner.

There is a memory I'm thinking of now that never seemed significant before.

#

Ellis was seventeen.  That summer, his skin was an open wound, burnt shades of red and brown from the sun.  The freckles on his back were skin cancer, though we didn't know that then.  His hair had bleached into curly wires of gold.

Darren was tanned light, a slice of human toast, Wonder Bread.  He was younger than Ellis by three years and taller by four inches.  This was nineteen sixty-two, the summer they were forced to compete with each other.  Electronic timing was new.  Breastrokers still used a frog kick.  The air wasn't clean but it was not yet popular to call it smog.

It was the county All-Stars, the last meet of the season.  I'd offered to replace the back-up timer behind lane six, a grown woman who had just discovered she was pregnant.  It wasn't something I'd done out of a sense of responsibility.  The morning sun cut hard through the morning haze.  It blinded everyone who had to glance up at the backstroke flags or the starting gun.  In that light, being a timer was the only way to get a good seat.

When the hundred meter breastroke came up, the Glenfields came to sit on the diving board behind me.  This was the race all three of us had been waiting for, Ellis because it was his last before he turned nineteen and became ineligible, Darren because it was the only event he'd never beaten Ellis in.

"Here we are," Darren said, with a glance to the other swimmers.  He leaned against the aluminum banister and struggled with his pale, red racing cap.

"Hi, Bob," said Ellis.  He folded his towel into a seat cushion, then turned away from it.

The younger, taller boy swung his arm in a circle.  He bent for a leg stretch.  Ellis kept his back toward us, standing quietly, head bowed.  I didn't take offense, like I might if someone did that to me nowadays.  Ellis had problems concentrating.  He didn't talk to anyone before a race.

"What's it going to take?" I asked Darren.

"An eleven," he replied.  "Probably a fourteen to place, which I might do if I keep my kick tight."

Neither of them had a chance of winning and they knew it.  Ellis was the most experienced swimmer in the heat, but there always seemed to be one or two people who were a few seconds better than he was, too much difference to hope to make up.  This year he was seeded fifth and was hoping for second or third.  It would mean a trophy for his final race.

The first heat of their event churned into the wall, eight skinny bodies struggling through what looked like melted glass.  A few of them improved their times.  Most didn't.  The sun had drained everyone of their usual energy.  The concrete deck was hard to look at.  Glare from the pool made finishes hard to judge.

When they stepped up to the starting blocks, Ellis and Darren glanced at each other.  Ellis was frowning.  Darren gave him a tight, competitive smile.

The younger teen had lane eight and the older was in mine.  I watched the curve of Ellis's spine as he crouched.  You could see his scoliosis then, just before he dove.  When he stood straight his muscles covered the curve of degeneration but when he bent, anyone could tell.  There was something wrong inside of him.  While I was looking, the starter, a dark-haired, pot-bellied man in a white polo shirt, recited the number of the event through a loudspeaker.  The crowd quieted.

"Gentlemen, take your mark."

Darren was the last person to move into his crouch, lazy and relaxed.

The gun fired.  Ellis was the slowest into the water.  That was normal, for him.  His reflexes weren’t the best.  No matter how much he anticipated the gun, he could never quite compensate for that lack of gut-level quickness.

Darren had done fine, in his lazy way.  After the underwater pullouts, which they were both good at, his head broke the surface in the lead.

It took less than a length of the pool for the leader to establish himself.  He was a tall, brown-haired guy.  I don't remember his name but my head is still full of useless statistics about him, assimilated and retained from wandering conversations with Ellis.  He never went to the Olympics, the guy who won the race, but he made it to the semi-finals to qualify.  That’s pretty close and he was way, way better than anyone else in the summer league.  At the wall, he was a body length ahead.  The Glenfields were part of the pack chasing after him.

#

I guess the swimming event itself isn't that important.  All those details about strokes, turns, and push-offs are irrelevant.  I mean, who thinks about this race anymore, except for me?  Darren, maybe.

What matters is that this was Ellis's last chance.  There was a pretty good mind in charge of his body but the body itself was riddled with deformities, all slight but nagging.  He'd spent a large part of his childhood in bed with asthma.  He was aging fast, too, with pattern baldness showing on the back of his head and arthritis causing him aches in his wrists and ankles.  Darren had grown taller and stronger and had beaten him at everything else they competed in.  Every breastroke race, though, provided Ellis with a lonely-seeming victory.  The event was his last defense against the inevitable.

While the older teen struggled and churned in the pool, striving for maximum speed, Darren glided with ease.  The younger boy's strokes remained smooth.  By the second length, Darren had fallen into rhythm.  If he'd looked over to the other swimmers, he'd have seen he was only a body length off the lead.  That was second place and by a good margin.  But he was in lane eight, too far away to know.

Ellis knew where he was.  He was in the middle of the pack, his fingertips not quite to the lane position of Darren's shoulder blades.  He wasn’t even ahead of lane two next to him.  When the brothers hit the touchpads beneath my feet, they were about a second apart.

The older boy's stroke changed in the last two pulls before the turn.  His concentration had clicked in and he was completely aware of his body in the water.

It was a level of intensity, he told me, that he'd reached only half a dozen times in his life, and I knew the instant it came over him.  His hands stretched out farther, captured cups of water better, frog kicks closing tight behind, catapulting him forward, his face an open-mouthed grimace.  In those two strokes, he pulled half a body ahead of the swimmers around him.  The electronic timer ranked his split time as third, not too far behind Darren.

During the pullout off the turn, Ellis caught his younger brother.  Darren wasn’t swimming any harder.  His turn had looked lazy.  Then Ellis began his third-lap acceleration.  He always tried to be in the lead before the final sprint.  He figured he could hang on until the end no matter how tired he was.  Darren couldn't see anyone but, at about the halfway point in the pool, he gathered his extra strength and narrowed his pull.

Ellis muscled through.  His chest was thick and his arms were short and wide.  Most of his power came from the upper half of his body.  He tried to cut a path for himself.  But I saw him twist his neck uncomfortably.

Around the last turn, Ellis was second.  A swimmer from lane five had pulled close to him and Darren was a fraction farther behind.  The older brother, with fast, pumping strokes, kept holding his edge.  His pullout was perfect, maximum distance with minimum effort and loss of speed.  I could see, on his face, that he knew he was ahead.  The surface of the pool stretched out calm in front of him.  He gave up all his thoughts about grace and style and sprinted towards the end, towards me, as I stood with a watch in my hand.  He nearly lost control of himself in the final burst of energy.  The last four meters were an exercise in discipline.

I leaned over the water to see his hands knifing in.  Five lanes to my left, Darren's long arms were stretching towards the wall.  He had noticed his older brother and had matched pace.  A lane to the right, the other swimmer was synchronizing with Ellis's motions almost exactly.  His head was turned to look at Ellis and Darren as they approached together.

The three of them reached towards their electric pads, gasping chests falling into the transparent water, the last kicks pressing closed, lashing out behind with the final, driving effort.  Ellis's fingertips hit before his brother.

From my position, half a meter above the water, I saw the blink of the finish.  The starter was squinting into the glare.  The finishing judge had stepped out of position.  Ellis out-touched the others for second place.  The competitor in lane two smashed the water with his forearm, angry because he had watched himself lose.

Darren smiled over to his older brother, who grinned back.  They lifted themselves out of the water.

#

This is why the photographs remind me so much of the division between them.  I know what Ellis felt about his body and how mortal it proved him to be.  I know that Darren, even to his day, the day after the funeral, is oblivious to the good fortunes in his life that came from his health.  It's a division between regular folks and heroic ones.  Ellis belonged to the middle of the pack of ordinary competitors, no matter how much he tried to raise himself higher.

Later on, in the conversations we had about that day, Ellis said this was when he first realized he might struggle and never achieve anything much.  And he knew that Darren would always be the golden boy, the natural leader, even though he was younger.  He admitted that for a jealous instant, he despised his brother.  It was amazing that he hadn’t had that moment before.  Darren had stolen victories from his brother without even trying.

They were standing by the scorer's table when the results were announced.  A neon board lit up with the exact figures and a man read the times over a microphone.  First place, at a minute eleven point something, was the boy everyone had expected to win.

Second place, at one minute thirteen point eight six seconds, was Darren Glenfield.

Flapping his towel around him in victory, Darren let out a whoop.  His first reaction was to congratulate himself and he held his arms up high, facing Ellis, smiling a self-contented, still-amazed-at-himself smile.  If that first reaction had come an instant later, or if he hadn't been standing so close to his older brother, things might have happened differently.  He didn't follow Ellis's eyes up to the third place slot on the scoreboard.  He didn't know that the electronic timer had placed the swimmer in lane three ahead of Ellis.  He whooped again while his brother stared in shock.

It wasn't even the cheer, I think, that prompted Ellis' reflex.  It was the smile and the motion, the head rising up and down in his field of vision, the shadow it cast.  He drew back the heel of his hand and thumped his little brother hard in the center of the chest.

Darren had been standing at the edge of the pool.  As he fell, he opened his eyes and saw Ellis's expression for the first time.  His hands let go of the orange and purple towel.  He tried to balance himself.  He grasped at the flagpole.

It was Ellis who grabbed the pole.  With his other hand, the one he had pushed with, he caught Darren's wrist and yanked.  Darren yanked back, climbing up his brother's right arm.  For a second, it looked like they might make it.  Then the flagpole began to tip and Ellis had to let it go or drag it into the water with him.  He gave it a reluctant, longing gaze as he fell.  Darren's grip carried both of them over the water.

This feels like the essential moment of the incident.  But there is no moral to it.  Life gives everyone what it gives.  Ellis compared his life to Darren’s.  In that instant, he felt resentful.  Then it was over and he regretted what he’d felt.  He resigned himself, probably for the hundredth time, probably for all time, to how things were going for him.

Hand in hand, they tumbled over the closest lane rope, a string of red and white beads.  Their legs kicked and they dove in opposite diagonal directions to the bottom of the pool.  I saw the paths they’d taken.  An official in a white shirt glanced around.  He shaded his eyes and noticed the trails in the water, how they diverged, but he turned away in confusion.  He tried to ask another official about it while the traces faded into pale blue foam and glare.


originally published as Eric Gallagher in The Frederick New Paper, 1991

Sunday, March 8, 2020

Not Even Not Zen 202: Memory Kiss

Apple Blossoms by George Chernilevsky, Wikimedia Commons
The Memory Kiss

"Yowza!"  Moses hailed the children with his arm, traced circles in the air.  "Amy and Johnny!  Come see a dirty old man attempt a death-defying knobble.  Of course, I mean a smooch, a flip of the lip, with his frigid old woman."

His sons and daughters and grandchildren gathered around him like chumps to the side-show.  As the star, he put one arm on Letitia's shoulder and hugged her.  It was their wedding anniversary.  This was in Richmond, Virginia, near the end of the hottest week of the summer in nineteen hundred and seventy-nine.  Perspiration stained his shirt.  A fan blew from the window behind him.  Most of the members of the reunion party had wandered up onto the porch.  Flies buzzed around the picnic plates below.

"Not a spectacle," he said.  "No!  Not a spectacle for the faint of heart."

"How about for the weak of stomach?"  Patting a pot-belly, his oldest son Abe smiled from behind the punch bowl.  "No one else has mom’s daring."

"You wound me, sir, you wound me.  Nevertheless, I will carry on.  I will carry on."

"Yes, you do."  Abe poured himself a cup of crabapple punch, complete with a floating crabapple.

"Carry on, and if there are any others who dare to follow in my footsteps, they are welcome to.  This lady has been known to be generous with her favors."

Letitia smiled and tried to set her glass down, as if afraid someone would bump her.  After thirty years of marriage, Moses would have expected her to get accustomed to being near the center of attention but she seemed, somehow, to always hand onto the vestiges of her dignity – straightening her bra strap, covering a hickey with her scarf, or laughing at her shocked friends across the lunch table.  She looked as prim and stiff as she'd been when she was nineteen.

He sighed, patting her thigh.  When he was a young man he thought she'd be the type to loosen up over the years but when he'd reached thirty, he'd realized she was slimmer and more proper than ever.  Her skin had tightened.  Her bones had grown pointed.  She was tan as dry dirt in the summer and as grey as charcoal ash in the winter.  Making love to her was like sailing face down in a birchbark canoe.  Not that he didn’t enjoy it.

"Let's get it over with, dear," Letitia said.  Her voice was low, not quite a whisper but something close to it and almost as private.

"Abe and John, you boys watch close now."  Moses had been struck, for an instant, with the feeling that he was alone with his wife.  It was the way she had pressed herself close.  He remembered how small and dry her breasts were, how carefully he had to touch them.  "Gonna show you how a real gentleman does this."

Letitia poked him in the ribs.

"Don't bother," she told him, and her arm reached up behind his neck.  Her eyes closed.

He leaned in.  Despite the sheen of sweat over the rest of him, his lips felt dry.  He licked the inside of his mouth to summon saliva to his tongue.  In his biceps, he felt her weight shifting as she rolled up on her toes.  Their hips touched.  Her body fell, firm and tight, against his.  He placed a hand gently over the warm wrinkles of her neck, where he knew he could make her sigh or blush with a stroke.  The other he pressed on the small of her back, below the belt of her dress.

Her lipstick was warm and slipped against his skin like moist clay.  Moses peeked between his eyelids for a moment and caught a glimpse of her blue irises.  She fluttered her lashes at him.  He felt his puckered skin pressing flat against hers and her cheeks growing hot.  The blood rushed to her face.  Sweat ran out of the pores in his hands and seeped into the back of her dress.  He tickled her earlobe and moved his fingertips away, down behind her shoulder blades.

Their first kiss had been like this, no tongues, amidst other couples, a crowd standing by to watch from the dance hall.  Her perfume had made his nose itch.  In fact, he'd nearly sneezed through his teeth.  It had been a scent like the one she wore now, a sweet breath of apple blossoms.  There had been something else in it, a hint of clove or some other spice, but the sticky sweetness of the blossoms had overwhelmed everything else.

His father had planted an apple tree in the front yard during the summer when he was seven years old.  Moses recalled the fragrance, thick and eye-watering.  Every spring, as it burst into bloom, he would come down with a slight fever and a fit of sneezes.  The reaction would take up about two and a half weeks in April or May and he'd retreat to his bedroom, an invalid, barely able to leave the house.  He'd sit by his window and spy across the street on Kathy Lee.

He never opened the window to wave to her.  Those had been protracted moments of shame for him, his fatal weakness exposed.  He simply watched as she passed or he waited for her to skip out onto the sidewalk where she lived, just one house up, on the other side.

She was divorced, now, and double-chinned.  He'd seen her once, at Zayre's, while she was looking at a lime green pantsuit.  But underneath all that fat there was a slim, blonde six-year-old, skipping rope on a cracked sidewalk in Burke, wearing an old blue skirt and a halter, singing Ten Cents A Dance and Cheek To Cheek, calling to him across thirty feet of asphalt.  Every summer and fall, he'd roll his hand-me-down knee socks to the ankles and run along the looping sidewalk for a hundred, two hundred yards to reach her.  Then he would turn the rope for her by tying one end to a tree or they'd play hopscotch and leapfrog or sit by the flowerbed and draw in the dirt with sticks.

Once, he had been standing underneath the willow tree in her yard.  There were a few willow leaves and apple blossoms on the freshly cut grass beside him.  His back was turned to her and he drew his initials in the mud with a rock.  Kathy Lee bent over him, watching.

Her hair fell down the back of his neck and tickled his ear.  He stopped writing.  After a moment, she said, "Kiss me."

"Are you crazy?"  Moses turned around.  Her mouth was a line.  Her blue eyes stared.

"Come on.  Kiss me."

"Why?"  He backed into the hedge.  She took one step towards him, to help, and he edged sideways.

"Because I want to know what it's like," she said.

His eyes widened until it hurt to blink.  He slipped and fell to one hand.  His leathery, brown shoes tore into the soil.  He rolled away and ran down the sidewalk.

When he reached the picket fence about halfway down the block, he stopped to climb over it.  There, he hid himself under a bush in the yard.  He ripped up fistfuls of grass and threw them.  He found a pebble, pressed it into a clump of moss, pulled it up again and wondered.  He had been about to write Kathy Lee's initials in the dirt with that stick.  Right next to his own.  She had smooth, cool skin and smelled like a dandelion.  He thought about the sweet spiciness of her.

After a while, he figured it was safe to go back.  He rolled out, climbed the fence, picked up a whole handful of pebbles, and walked down to her hedge.

She was playing jacks.  Her nimble fingers caught three up on a bounce, snapped the ball out of the air, and put the three back in her purse.  She glanced at him, bounced the ball another time, and snatched up four.

"Want to play hopscotch again?" he said.

She bounced the ball, tried for five, and missed.  She shook her head.

"Come here."

"Why?"  She pulled a golden strand out of her face.

"Just come here."  He stuffed the pebbles into his pocket.  If he ducked his head, standing by the hedge, they wouldn't be in view from her mother's window.

Kathy Lee threw her jacks down onto the sidewalk.  She stood, brushed her long hair back, straightened her skirt, and marched over to him.  A foot away, she stopped.  Her arms fell to her sides.  Moses grabbed her by the elbows and pulled her closer.

"I want to kiss you," he said.

"Why?"

He did.  Her lips were smooth as her hands and hair.  They were as sweet as the spoons of white sugar her mother gave them.  She closed her eyes and put her arms around him they way they both had seen her parents do.  He tried to put his around her but got one of his sleeves caught on the hedge.  They froze.  Kathy Lee opened her eyes.

She fluttered her eyelashes at him, Letitia, taking her arms off the back of his neck and resting one of them on his shoulder.  She pushed herself away.  The other hand reached up to her bun of brown hair and patted it to see if the clip was still in place.  She opened her eyes and Moses felt his chest tighten.  For a moment, her expression had belonged to Kathy Lee – not the woman in the department store with a double chin but the little girl with thin, agile bones.

His chest hurt.  Still staring at his wife's eyes, Moses turned sideways and clutched his ribs.  His right hand dug deep into the flannel shirt and flesh, tugging at his diaphragm.

The scent of the blossoms made him dizzy.  His view of Letitia blurred as tears welled up on his lower eyelids.  For a precious instant, as he tried to re-focus on his wife, he felt as if he were seven again.  The muscles in his chest would not expand, his spine arched backwards from the hip, tilting his head to the ceiling.  He felt something about to roar out of his chest.

"Waaaaachoo!"  He doubled over, surprised.  An instant later, he straightened himself.

"Here Dad, take my handkerchief."  His younger son, John, flapped open a white slip of cotton cloth.  It had the family monogram on it.

"Gezundheit, dear."

"Yes, thanks."  He dabbed his eyes.  He switched the cloth from his right hand into his left so he could reach out to his wife.  He took her fingers in his own.  "Letitia.”

“What?”  Her eyes narrowed at him.

“Thank you.”  He wiped his mouth and stared.


originally published in The Frederick New Paper, 1990

Sunday, March 1, 2020

Not Even Not Zen 201: They Still Matter

They Still Matter

My last major trip with my wife took us to Oregon in 2019.  During our stay, we noticed “Black Lives Matter“ signs in shop windows.

After a while, as I learned about the social dynamics of the area, I could see how slightly different cultures operate there.  That is one of the best reasons to travel, after all. Even though my family remains in the United States during most of our travels, there are still differences to observe, not only between states but between geographical areas. Even in the same state, there are usually strong differences between the cultures of plains inhabitants and the mountains.

The places in Oregon where we saw the “Black Lives Matter“ signs were generally very European-American.  Of course, in Portland, there are significant pockets of different cultures including those of different skin colors. There was not just a Chinatown and some Hispanic neighborhoods but a notable Russian-speaking influence and a few African-American homes.  However, signs in shop windows weren't prevalent in those areas.  They popped up occasionally in the city, yes, but they were more common in the countryside.  Most frequently of all, they appeared in towns that were Swedish-American or Irish-American.

In the town of St. John’s, which touches the outer edge of Portland, we saw “Black Lives Matter“ signs everywhere.  There were no people of color visible in the town.  The signs, it was clear, were a message from some white people to other white people.

The sight of them got me to do a little reading.  As I learned about the area history, it began to look as though the signs were a response from Oregon natives to a white supremacy movement that is trying to move into Oregon from Washington state.

Every few months, the white supremacists arrange a rally in Portland.  Portland natives, almost all European-American of some stripe, arrange a counter demonstration. This is been going on for years.

In the St. Louis area, where the “Black Lives Matter“ movement seemed to start in Ferguson, the dialogue seemed to be black to white and black to blue.  In Oregon, the dialogue is as passionate as ever but it is totally different.

To the way of thinking of the white supremacists, Oregon should be a backbone state for their movement.  Recruiting should be easy.  Instead, as I think most outside observers would know, recruiting was bound to be hard.  Portlanders despise the fact that outsiders come in to march for white power that the natives do not want.

In most of the small Oregon towns, Irish and Italian populations are considered the local minorities since they are not of English or Swedish descent.  In St. John's, it seems that the entire town was settled, from the start, by Irish-Americans.  That might be why the signs are so prevalent.  They come from a group that is nowadays considered white but remembers discrimination and so the signs are meant to be a thumb in the eye of white supremacists.

They might be appearing in support of racially diverse friends, too; that's not just possible but inevitable, even in a small town.  But based on what I saw, some of those friends-of-color could be theoretical.  Oregon really is very white in the countryside.  That's fine for this much; the locals don't need any more stake in the game other than being who they are.  They, like most people, are simply not hateful. They resent the imported hate.

Maybe that sentiment won't win out.  But it seems natural and, to my eye, encouraging.

Sunday, February 23, 2020

Not Even Not Zen 200: Paths Not Taken

Paths Not Taken 
by Draggin Frost

Two paths diverged in the crafty wood,
And sorry I could not travel both
To find you twice, long I stood
And looked down one as far as I could
To where it bore mushroom undergrowth;

Then spied the other, just as planar,
And having perhaps enchanted powers,
Stone and grass laid for this maintainer;
But lacking for a slack campaigner
As both paths contained no nymphs nor flowers.

And both that evening equally lay
In blocks of sod once trodden gold.
Oh, I kept the last for another day!
Yet knowing paths lead long astray
Doubted ever to the second trail behold.

I shall be telling this ages after
Somewhere we have built our garden fence:
Two paths diverged for a silvan crafter
But I forged onward to your laughter
And that has made all the difference.

Sunday, February 16, 2020

Not Even Not Zen 199: Poem - Footnote to the Battle

Footnote to the Battle

Soldiers march in the space between buildings
between the rows of bodies broken in the road.
Mixed into the scene, the loose limbs
lying in red pools, men crying or dying,
women screaming in the distance,
the tiny forms of children long dead or longer fled,
there is the sound of laughter.

In all of the fear, rage, pain there is a fellow happy.
A buddha?  A saint?  He is a man in army fatigues,
a former sergeant, stripped of his insignia.
The space where the patch was ripped from him
is still cleaner, brighter
than the rest of his uniform.

How does one get demoted in the midst of action?
Who would dare?  I imagine the rank is
on the road somewhere, in a muddy ditch, lost.

Only his eyes do not laugh.  They dart.
He strides fast, speed and terror, anger and joy together.
Somehow, in the killing, he has acquired blood to his elbows.
With chuckling that trembles his lips, his chest,
he is immune to the sorrows of others,
oblivious to the bewildered stares of his comrades.
No one sides with him.  And he is with no one.

He is, instead, the driving force, the killer.  He needs no other.

When I feigned death, I did not imagine this.
Did not foresee anyone with weapons today
although we were warned the night before.
Did not imagine that tears could run out,
that I could rest on a wooden beam, hidden
between the floor and ceiling below
and cry in silence until there was no more.
Did not imagine someone could see this street,
do this to a village, and yet find humor.

Is this how it is?  I am struck with unbelieving
except for this fellow.  He is so real, so his own,
like a visitor from a more-real reality,
a secret land underlying the veneer of civilization.
Perhaps he is the guide to survival.

So I thought, it must be.
But I remained, hiding, knife in hand
taken from my fallen father.
Below, the laughing man's friends spread out to follow the cries of women,
to peer into houses, to stoop and pick up fallen objects,
a bloody wallet, a photograph, a coin.

The laughter fades but the real man remains.
For a moment, his back is turned, all alone,
abandoned by his comrades,
who hate him, and I
emerge.  My foot swings down from the beam.

He scratches his throat,
puts a hand into his pocket,
stares down the broken boulevard.
He does not hear me.
He does not listen for my single footstep
and so I imitate him
with all my speed and strength.

Sunday, February 9, 2020

Not Even Not Zen 198: Poem - Present Illusion

The Present Illusion

Your voice rings across the water.
Your face, in this precise moment, is hidden.
But it has a hint of an open-mouthed smile
because I can hear it on your lips.
A strand of raven hair has fallen.
You are brushing it away
at this point in time, separated from me,
not quite in the same moment.

Fools say that the past is an illusion caused
by our brains putting sensory inputs in order.
Our inner selves struggle.
They flail and decide wrongly
in the attempt to assemble a puzzle
of a picture partly drawn.
Those fools are right.

Others say that the future is a creation.
It's our ability to throw a rock,
catch a ball, tie a string, cut with a knife,
to project forward to the consequences of our actions.
Shouldn't I have known your next words?
Shouldn't I have reached to your stray strands of hair?
We are so good with futures one second away,
so wavering as we reach farther,
as I am stretching to you.

I have been to the future.
I can say they are right.
We create alternatives, some of them impossible,
like our hands touching across the hundreds of miles,
you in the distant snowfall,
walking, shoes crunching on dry snow,
me by a riverbank, drenched in the rain,
both of us looking to something that exists
in our shared imagination.

In this moment, you and I, our voices touching
our fingers reaching through the air,
me in the right direction, by the way,
while you are angled wrong, your sense of direction
taking you a bit to the northeast.
Please turn just slightly
and tell me you are coming home.

Soon the future will be the present
and we will not be quite in it, either,
only a mile away,
only a riverbank apart,
only an arm's length.
The present moment too, is an illusion,
a creation that doesn't quite exist, an artifact of our minds.

So what?
Now is the moment.
I am approaching a woman
with dark hair and knowing grin.
Her arms spread wide
as if she is presenting herself,
a gift to the world.
My hand opens.

You are approaching a man
as he opens and lifts his left hand.
A smile begins to narrow his eyes.
His mouth drops open without a word.
This.  This is as close as humans come
to being present together
in the same moment.
Now, please.  Come to this moment
with me I am so ready.

Sunday, February 2, 2020

Not Even Not Zen 197: Poem - Vsfivx I, E Qcwxivc

Vsfivx I, E Qcwxivc

Epp lemp xs Vsfivx I,
jexliv sj e wsr sv xlvii,
qewxiv sj xli evg gswmri,
hiwgirherx sj e omrkpc pmri.

Wempsv sr e wlmt s’ xevw,
Wqsoiv sj xli asvwx gmkevw,
Qewxiv sj e wmqtpi gshi,
Xevkix sj xlmw avixglih shi.

Xiegliv, fymphiv, fieviv sj csoiw,
Xippiv sj xli weqi sph nsoiw,
Wxvsppmrk, fievhih, peyklmrk jvii,
Xlex’w xli kverhte Vsfivx I.

Decoded:

Robert E, A Mystery

All hail to Robert E,
father of a son or three,
master of the arc cosine,
descendant of a kingly line.

Sailor on a ship o’ tars,
Smoker of the worst cigars,
Master of a simple code,
Target of this wretched ode.

Teacher, builder, bearer of yokes,
Teller of the same old jokes,
Strolling, bearded, laughing free,
That’s the grandpa Robert E.

Sunday, January 26, 2020

Not Even Not Zen 196: Poem - Dead, Dead Rose

Dead, Dead Rose

Oh, my love is like a dead, dead rose
That wilted in September.
My love is like a haunting tune
That I just can’t remember.

As weary as we are, my wife,
So worn out in every way,
It’s amazing that I love you still
And love you more each day.

The days of our summer aren’t done, love,
Though the rose buds fall apart
And dusk settles throughout the lands.
There is sunshine in my heart.

Sunday, January 19, 2020

Not Even Not Zen 195: Poem - Illusion of Presence

Illusion of Presence

This is to the next moment that occurs
not this one
or the one you thought you were living in
when you began this
but the moment after,

after she said, "We are in this time machine,"
put her pale hand against a black plastic camera,
and described how it would take us
to the smallest units of time,
to the only changes indivisible

between this and the next moment,
between the blade of her tongue and her teeth
as she told me, "I've got to see us both,"
smiled and swung her kinky hair,
always in motion,
like the bright-iron blood through her arm,
like the sweat from our palms.

"We are each in a different time," she said.
"You there and I here in different places,
in different currents, motions so close ...
I can feel the moisture from your breath,
the rhythm of your pulse
though we are not together,
parts of us apart in time
as we reach out for this kiss."

When she spoke she leaned forward
so the machine could catch her lips against mine,
our bonded flesh an ocean of waves between us,
as the black machine swept with us
into a sea of particles.

We went to meet that single wave
she hoped would carry us both.
Her mouth opened, parted to touch me
for the smallest moment we will be together.

This is to the next moment that occurs
because in the next moment, as always, we will all be changed,
mass in motion, molecules tumbling,
rushing through our veins, our arms, our palms, our lips,
into the next moment.

Sunday, January 12, 2020

Not Even Not Zen 194: Poem - Cold Hopes

Cold Hopes

“My grandmother used to send me Reader's Digest
every Christmas even though I told her I hated it.”

His arms folded.  He held a cup his hand
but never drank from it.  This was back
when we were young
and had not discovered wine.

“I think I liked that one.” 
I sipped from mine, thinking.  The magazine had jokes.
And advice.  There is something lovely about advice
that isn't aimed at us.

“There would be all these inspirational stories,
people saved from death at the last minute.
Then they would give thanks.”  His eyes narrowed.
“I used to search newspapers for opposites and clip them.”

“The opposite of inspirational?”  Depressing stories, I realized,
although he did not think of them that way
just realistic ones, he would later tell me,
to counter-balance his unwarranted hopes.

“There was one great one, a woman lost in Minnesota snow.”
He put down his cup and pantomimed trudging.
“She ran out of gas and got cold. 
So she left her car and made it to a neighbors' house.
There were people home.  The light was on.”

He waited with a smile.  I nodded, ready,
imagining the chill of a night blizzard
but also the baby-blue cover of an issue I’d seen
at the dentist’s office.

“She walked all the way to the front stoop
before she froze to death.”

His arm stretched out to me but locked in place
for a few seconds, motionless,
reaching out to a void,
a world without mercy, without guardian angels.

Not that he wasn’t right.
We knew to fend for ourselves.
That’s why we didn’t drink yet.
But we didn’t know then how often we would fail,
how deadly the consequences,
how it would all end.
Really, we should have.

“Her body was found leaning against the railing by the top stair.”